Press
“THE INVISIBLE AUDIENCE” MADE QUITE A FEW YEAR-END LISTS FOR 2011:
HOTEL ARIZONA, DAILY HERALD, DIRTY IMPOUND, HELL IS FOR HIPSTERS, THE COLUMBIAN, LUBBOCK ONLINE (!), HAMPTON ROADS, NORTHEAST MISSISSIPPI NEWS,MUSIC RASH, ISLAS DE ROBINSON…TO NAME A FEW!
WHAT THEY SAID:
“A masterclass in harnessing several generations of popular songwriting craft, it’s Russell’s cracked and weary vocals that ultimately give this album its soul, and let the listener in. Which is why Russell’s audience won’t stay invisible for long.” — The Quietus
“A double album with the ambitions and general success rate of The Beatles’ White Album and Todd Rundgren’s Something/Anything?” – JamBase
“One of the best albums recorded in the past 15 years.” — Hotel Arizona
“If you’re a fan of Ryan Adams, Tom Petty, Paul Westerberg and/or Jeff Tweedy, you’ll likely find something to love in Russell.” — My Old Kentucky Blog
“Russell’s fifth album is his most ambitious, with 25 tracks covering the stylistic gamut from Beatles-esque melodies and angsty power pop to slide-driving blues, singer-songwriter introspection and humor. 4/5″ — Pasadena Weekly
“There are plenty of great cuts here to sift through, so I’d get this album and start exploring.” –Powerpopoholic
“MOTORBIKE EP”
“History may find a place for Luther Russell yet.” — The Quietus
“Raw, at times ghostly…music to roll down the road to.” — Portland Tribune
“I’m convinced that this EP is quietly brilliant.” — High Voltage
“The title track is a swirl of revitalization and multicolored dust found in the freedom of two wheels on the open road.” — Hyperbolium
“All strong tracks that showcase Russell’s distinctive vocals and dreamy songwriting skills. Good times.” — The Music Fix
“This is a quality slab.” — Unpeeled
“A mature, thoughtful and skilled musician whittling out trembling, furious stripped down rock n’ roll.” — Musical Pairings
“REPAIR”
“**** (four stars)…Songs with Beatlesque surfaces and dark interiors trace the well-worn path from self-inflicted and romantic pain to hard-earned redemption…”– Uncut Magazine
“…There are undeniable shades of Elliott Smith and Ryan Adams here, but Russell is evidently in possession of a style all his own…”– Word Magazine
“…Anyone who enjoys Wilco’s scuffed, sleepy Americana should get a kick out of Luther Russell.”–Q Magazine
“…Even while melding a few distinct sounds, the album has very few blemishes – a testament to Russell’s maturity as a musician and experience as a producer…”– Aquarium Drunkard
“…The start to finish quality song-cycle you keep waiting for Paul Westerberg or Ryan Adams to release…”– No Depression
“Russell’s style of songwriting is reminiscent of Alex Chilton… Classic, classy pop. Highly recommended.”– Baby Sue
“On his fourth album, Repair, Russell has assembled a satisfying mix of Americana, blues, indie folk and downcast pop…if you’re willing to put in the time, Russell’s latest will bring you many small rewards.”– Pop Matters
“(A-)…”Repair” is an accomplished collection of work from a writer working at the top of his abilities.”– Oregonian
“SPARE CHANGE”
“An accurate and emotional chronicle of the human condition of the early 21st century.” – All Music Guide
“Raises the level of the game and redefines the singer/songwriter process.”– Denki Tiger
“DOWN AT KIT’S”
“One of the most joyous albums of 1999…I’ll give it an A.”– In Music We Trust
“A sprawling, soulful record…one of the most badass recordings of the 1990′s.” – All Music Guide
“LOWDOWN WORLD”
“Lowdown World is a heartfelt, honest record.”– No Depression
“These songs fit his voice perfectly, and it’s a voice that sounds as though it’s been left out in the rain for a long time, yet still has an incredible emotive power.”– All Music Guide
